Serge Gainsbourg

[cherryghost]

Can I offer up the marvellous Serge for adulation and discussion!

[Finnegan]

good choice!
l was shopping at a cd store in toronto years ago and they had him playing; l had to go ask the guy working who it was and it was serge.
loved it!
l'm gonna go see if l can download some right now.

[cherryghost]

I have to get some music on my ipod of him and there is so much written about him and his life around, vanity fair just did a nice article of him and the house he lived in that his family is hoping to make a museum! He has that great face that shows humanity and he was shy not arrogant! He thought he was ugly, but beautiful women loved him! Thats a great recommendation! The French are amazing in their appreciation of artists that are not always obvious! They have a flavour that is all their own but are so loyal to their beloved artists I like!

[Danse Macabre]

Serge Gainsbourg was extremely talented. Very original. And very provocative, of course.

Serge on tv, saying he wants to f* Whitney Houston.

http://www.youtube.com/watch?v=LMAHstZ565w

[Morrissey]

I was going to make a post about him, but searched and found this!

He was so fucking amazing... oh, was he handsome? Mmm mmm.

I adore his music... he and Birkin were a great couple; I prefer her "Je t'aime..." to Bardot's!

[Luanne]

He was the original Austin Powers, but French. The cover of Comic Strip is proof!

"Chic alors, bebe!"

[John Connor]

Je t'aime moi non plus is one of my all time favourite songs. The Bardot version, not the Jane Birkin. I love Serge. He seemed a little silly at times but he had a deep need to be loved.

[deathaddict]

i loved that song. so erotic with all that breathing.

[Guest]

Just found this thread - am a huge Serge Gainsbourg fan, I have most of his stuff. He died in 1991 after a lifetime of excesses - smoking drinking loving, a great and talented individual.

[Guest]

Serge Gainsbourg (2 April 1928 – 2 March 1991) was a French singer-songwriter, actor and director. Gainsbourg's varied musical style and individuality made him difficult to categorize. His legacy has been firmly established, and he is often regarded as one of the world's most influential musicians.

He was born Lucien Ginsburg in Paris, France, the son of Russian Jewish parents, Joseph Ginsburg (1896 — 22 April 1971) and Olga Bessman (1894 — 16 March 1985), who fled to France after the 1917 Bolshevik uprising. His childhood was profoundly affected by the occupation of France by Nazi Germany, during which he and his family, as Jews, were forced to wear the yellow star and eventually flee Paris. Before he was 30 years old, Gainsbourg was a disillusioned painter but earned his living as a piano player in bars.

He first married on 3 November 1951 Elisabeth "Lize" Levitsky, whom he divorced in 1957. He married a second time on 7 January 1964 with Françoise-Antoinette "Béatrice" Pancrazzi (b. 28 July 1931), whom he divorced in February 1966, and with whom he had two children: a daughter named Natacha (b. 8 August 1964) and a son, Paul (born in spring 1968, after Serge got back together with Béatrice).

By mid-1968, he fell in love with English singer and actress Jane Birkin whom he met during the shooting of Slogan. They gave birth to actress Charlotte (b. 21 July 1971). On 5 January 1986 his youngest son, Lucien (best known as Lulu), was born to his last partner, Bambou (Caroline von Paulus, grandchild of General Friedrich Paulus).

Birkin recollects the beginning of her affair with Gainsbourg , where he first took her to a nightclub, then to a transvestite club and afterwards to the Hilton, where he passed out in a drunken stupor. Gainsbourg married Birkin when she was 21 and he was 40. Birkin left Gainsbourg when pregnant with her third daughter, Lou, by the film director Jacques Doillon, whom she later married.

His early songs were influenced by Boris Vian and were largely in the vein of "old-fashioned" chanson. Very early, however, Gainsbourg began to move beyond this and experiment with a succession of different musical styles: jazz early on, pop in the 1960s, reggae in the 1970s, and electronica in the 1980s.

Many of his songs contained themes with a morbid or sexual twist in them. An early success, "Le Poinçonneur des Lilas", describes the day in the life of a Paris Métro ticket man whose job it is to stamp holes in passengers' tickets. Gainsbourg describes this chore as so monotonous that the man eventually thinks of putting a hole into his own head and being buried in another.

More success began to arrive when, in 1965, his song "Poupée de cire, poupée de son" was the Luxembourg entry in the Eurovision Song Contest. Performed by French teen singer France Gall, it won first prize. (The song was covered in English as "A Lonely Singing Doll" by British teen idol Twinkle.)

His next song for Gall, "Les Sucettes" ("Lollipops"), caused a scandal in France: Gainsbourg had written the song with double-meanings and strong sexual innuendo, of which the singer was apparently unaware when she recorded it. Whereas Gall thought that the song was about a girl enjoying lollipops, it was really about oral sex. The controversy arising from the song, although a big hit for Gall, threw her career off-track in France for several years.

Gainsbourg arranged other Gall songs and LPs that were characteristic of the late 1960s psychedelic styles, among them Gall's 1968 album. Another of Serge's songs "Boum Bada Boum" was entered in by Monaco in the 1967 contest, sung by Minouche Barelli; it came fifth. He also wrote hit songs for other artists, such as "Comment Te Dire Adieu" for Françoise Hardy.

In 1969, he released "Je t'aime... moi non plus," which featured simulated sounds of female orgasm. The song appeared that year on an LP, Jane Birkin/Serge Gainsbourg. Originally recorded with Brigitte Bardot, it was released with future girlfriend Birkin when Bardot backed out. While Gainsbourg declared it the "ultimate love song," it was considered too "hot"; the song was censored in various countries, and in France even the toned-down version was suppressed. The Vatican made a public statement citing the song as offensive. It reached no. 1 in the UK singles chart.

Histoire de Melody Nelson was released in 1971. This concept album, produced and arranged by Jean-Claude Vannier, tells the story of a Lolita-esque affair, with Gainsbourg as the narrator and Jane Birkin as the eponymous English heroine. It features prominent string arrangements and even a massed choir at its tragic climax. The album has proven influential with artists such as Air, David Holmes, Jarvis Cocker, Beck and Dan the Automator.

[Guest]

In 1975, he released the album Rock Around the Bunker, a rock album written entirely on the subject of the Nazis. Gainsbourg used black humour, as he and his family suffered during World War II. While a child in Paris, Gainsbourg had worn the yellow badge as the mark of a Jew. Rock Around the Bunker belonged in the mid-1970s "retro" trend.

The next year saw the release of another major work, L'Homme Ã* tête de chou (Cabbage-Head Man), featuring the new character Marilou and sumptuous orchestral themes. Cabbage-Head Man is one of his nicknames, as it refers to his ears. Musically, L'homme Ã* tête de chou turned out to be Gainsbourg's last LP in the English rock style he had favoured since the late 1960s. He would go on to produce two reggae albums recorded in Jamaica (1979 and 1981) and two electronic funk albums recorded in New York (1984 and 1987).

In Jamaica in 1978 he recorded "Aux Armes et cetera", a reggae version of the French national anthem "La Marseillaise", with Robbie Shakespeare, Sly Dunbar, and Rita Marley. This song earned him death threats from right-wing veterans of the Algerian War of Independence who were opposed to certain lyrics. Bob Marley was furious when he discovered Gainsbourg made his wife Rita Marley sing erotic lyrics. Shortly afterward, Gainsbourg bought the original manuscript of "La Marseillaise". He was able to reply to his critics that his version was, in fact, closer to the original as the manuscript clearly shows the words "Aux armes et cætera..." for the chorus.

The next year saw him coin the nickname Gainsbarre, for himself in the song "Ecce Homo".

After a 13 year long turbulent relationship Jane Birkin left Gainsbourg. In the 1980s, near the end of his life, Gainsbourg became a regular figure on French TV. His appearances seemed devoted to his controversial sense of humour and provocation. In March 1984, while this was illegal and highly offensive, he burned a 500 French franc note on television to protest against heavy taxation. He would show up drunk and unshaven on stage: in April 1986, in Michel Drucker's live Saturday evening show with the American singer Whitney Houston, he exclaimed to the host (in English), "I want to fuck her." The same year, in another talk show interview he appeared alongside Catherine Ringer, a well known singer who in the past had appeared in pornographic films. Gainsbourg shouted, "You're nothing but a filthy whore, a filthy, fucking whore." Ringer scolded back, "Look at you, you're just a bitter old alcoholic. I used to admire you but these days you've become a disgusting old parasite."

By December, 1988, while a judge at a film festival in Val d'Isère, he appeared drunk and in a rage at a local theatre where he was to do a presentation. While on stage he began to tell an obscene story about Brigitte Bardot and a champagne bottle, only to stagger offstage and collapse in a nearby seat. Subsequent years saw his health deteriorate. He had to undergo liver surgery - although he denied any connection to cancer or cirrhosis. His appearances and releases become sparser as he had to rest and recover in Vezelay. During these final years he released Love on the Beat, a controversial electronic album with mostly sexual themes in the lyrics, and his last studio album, You're Under Arrest, which was a collaboration with Larry Fast, presented more synth-driven songs.

His songs became increasingly eccentric during this period, ranging from the anti-drug "Aux Enfants de la Chance" to the duet with his daughter Charlotte named "Lemon Incest". This translates as "Inceste de citron", a wordplay on "un zeste de citron" (a tang of lemon). The title demonstrates Gainsbourg's love for puns (another example of which is Beau oui comme Bowie, a song he gave to Isabelle Adjani).

his career, he wrote the soundtracks for more than 40 films. In 1996, he received a César Award for Best Music Written for a Film for �lisa, along with Zbigniew Preisner and Michel Colombier.

He directed four movies: Je t'aime... moi non plus, Ã?quateur, Charlotte For Ever and Stan The Flasher.

He made an brief appearance with Jane Birkin in 1980 in Egon Schiele Exzess und Bestrafung, a film by Herbert Vesely, and also starred at "Les Chemins de Katmandou", with Jane Birkin.

Gainsbourg died on 2 March 1991 of a heart attack. He was buried in Montparnasse Cemetery, in Paris. His funeral brought Paris to a standstill, and French President François Mitterrand said of him, "He was our Baudelaire, our Apollinaire... He elevated the song to the level of art." His home at the well-known address rue de Verneuil is still covered in graffiti and poems.

Since his death, Gainsbourg's music has reached legendary stature in France. His lyrical brilliance in French has left an extraordinary legacy. His music, always progressive, covered many styles: jazz, ballads, mambo, lounge, reggae, pop (including adult contemporary pop, kitsch pop, yé-yé pop, '80s pop, pop-art pop, prog pop, space-age pop, psychedelic pop, and erotic pop), disco, calypso, Africana, bossa nova, and rock and roll. He has gained a following in the English-speaking world with many non-mainstream artists finding his arrangements highly influential.

One of the most frequent interpreters of Gainsbourg's songs was British singer Petula Clark, whose success in France was propelled by her recordings of his tunes. In 2003, she wrote and recorded La Chanson de Gainsbourg as a tribute to the composer of some of her biggest hits.

His lyrics are collected in the volume Dernières nouvelles des étoiles.

In 2005, the album Monsieur Gainsbourg Revisited was released by Virgin Records. The album consisted of specially-recorded English-language cover versions of Gainsbourg's songs, recorded by artists as diverse as Franz Ferdinand, Portishead, Placebo, and Michael Stipe.

[Guest]

[Introvert]

A true genius and, in my opinion, the greatest songwriter of the twentieth century. In fact, I can only think of a handful of modern poets that are on his level.

It's a little unfortunate that people look back fondly at his controversial moments more than the sheer brilliance of his output.

He was a very confused man with little self-esteem, but he hid behind the Gainsbarre veneer so well that many didn't pick up on the real Serge - the man who had to get drunk in the morning because he was too shy to face people sober.